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There is good testimony that various species of Gibbon readily take to the erect posture. Mr. George Bennett, a very excellent observer, in describing the habits of a male _Hylobates syndactylus_ which remained for some time in his possession, says: "He invariably walks in the erect posture when on a level surface; and then the arms either hang down, enabling him to assist himself with his knuckles; or, what is more usual, he keeps his arms uplifted in nearly an erect position, with the hands pendent ready to seize a rope, and climb up on the approach of danger or on the obtrusion of strangers. He walks rather quick in the erect posture, but with a waddling gait, and is soon run down if, while pursued, he has no opportunity of escaping by climbing.... When he walks in the erect posture, he turns the leg and foot outward, which occasions him to have a waddling gait and to seem bow-legged."

Wiertz (1806-1865), whose collection of works is to be seen in Brussels, was a partial exposition of romanticism mixed with a what-not of eccentricity entirely his own. Later on came a comparatively new man, Louis Gallait (1810-?), who held in Brussels substantially the same position that Delaroche did in Paris. His art was eclectic and never strong, though he had many pupils at Brussels, and started there a rivalry to Wappers at Antwerp. Leys (1815-1869) holds a rather unique position in Belgian art by reason of his affectation. He at first followed Pieter de Hooghe and other early painters. Then, after a study of the old German painters like Cranach, he developed an archaic style, producing a Gothic quaintness of line and composition, mingled with old Flemish coloring. The result was something popular, but not original or far-reaching, though technically well done. His chief pupil was Alma Tadema (1836-), alive to-day in London, and belonging to no school in particular. He is a technician of ability, mannered in composition and subject, and somewhat perfunctory in execution. His work is very popular with those who enjoy minute detail and smooth texture-painting.

After the battle of the Metaurus, the chief interest of the war was transferred to Spain and Africa. The Roman armies were led by a youthful hero, perhaps the greatest man that Rome ever produced, with the exception of Julius Caesar. The remaining period of the war is little more than the history of P. Scipio. This extraordinary man was the son of P. Scipio, who fell in Spain in B.C. 212, as already related. In his early years he acquired, to an extraordinary extent, the confidence and admiration of his countrymen. His enthusiastic mind led him to believe that he was a special favorite of heaven; and he never engaged in any public or private business without first going to the Capitol, where he sat some time alone, enjoying communion with the gods. For all he proposed or executed he alleged the divine approval: he believed himself in the revelations which he asserted had been vouchsafed to him; and the extraordinary success which attended all his enterprises deepened this belief.

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